How To Get Published
Lie still, spread your verbs
to examination.
Don’t quiver in the assault
of attacking adverbs.
Be benign to the voices which will never understand
beyond the field of their own vision.
Realize there is not one noun
which will spell ‘world’.
Adjectives are perception
and perception is the tide time deposits
on the beaches of experience,
the rocks beyond which we float.
Be accelerate to floatation devices
delivering you to the beach.
Begin to crawl and never stop.
Friday, May 19, 2006
Thursday, May 18, 2006
When the night moved through my room, crystal by crystal
There isn’t one way to bear witness
to the world, or one place to feel its spine
coiled squamata-like
through the lustrous energy of light.
Disassembling alchemist,
I pour between
the beakers of one moment
and the next.
The horizon is a fallow field
accepting the seed of moon,
the trees are shrouds draped over
a paralyzed asphalt river.
I’ll bury the pieces of myself
in deep woods and I’ll search for them
in the bleak ice after time.
Wednesday, May 10, 2006
Friday, May 05, 2006
The Fine Art of Maintaining Virginity After Use
long after I looked at the scars—
long after I saw time draped across
this tapestry of skin
as though a snapshot expresses anything—
when the moon was folded over
asphalt and the sighs night releases in August—
in that precise moment the assembly line falters
and everything sails out of windows
into the woods/into the sun’s seine—
then I know that my eyes are
an airbrush for the moment passing
like ants/linear on the linoleum of this place—
I walk the rails/tightrope walker falling
into the never ending sea of possibility and belief
long after I looked at the scars—
long after I saw time draped across
this tapestry of skin
as though a snapshot expresses anything—
when the moon was folded over
asphalt and the sighs night releases in August—
in that precise moment the assembly line falters
and everything sails out of windows
into the woods/into the sun’s seine—
then I know that my eyes are
an airbrush for the moment passing
like ants/linear on the linoleum of this place—
I walk the rails/tightrope walker falling
into the never ending sea of possibility and belief
Conversation and Confusion
So what about asphalt,
thin folds of sky draped over
downtown offices,
light laughing into windows,
the distance between the words
and the listener?
So what about this rhythm
consuming any hope,
any time,
the desire to slow down in a field
of blossoming interpretations
uncertain of where the landmines
are placed in such a simple
sentence on such a simple spring day.
So what about asphalt,
thin folds of sky draped over
downtown offices,
light laughing into windows,
the distance between the words
and the listener?
So what about this rhythm
consuming any hope,
any time,
the desire to slow down in a field
of blossoming interpretations
uncertain of where the landmines
are placed in such a simple
sentence on such a simple spring day.
Wednesday, May 03, 2006
Tuesday, May 02, 2006
Monday, May 01, 2006
Thursday, April 27, 2006
Tuesday, April 25, 2006
Moments About
I’m writing poems to the echoes.
Life was here, but caught the eight-fifteen
somewhere. Sat in the day coach listening
to the same sound that opened
the petals of a country. Only sadness remains,
guest unwilling to go home, full
of anecdotes about. And in the rooms
I remember, words are arranged like furniture.
Easy chair for contemplation, coffee table
a wake-me-up call. I’m writing lyrics
for the shadows so they can sing.
A choir standing on the rift between
imagination and the dishes.
Poem as Immigrant
The geomorphology sun creates—
tablecloth
spilled across morning.
Although stitch-worked into
our conversation,
fantasy seems as plain as
the phone bill,
bank statement, or that note left on
the counter
beside the spent dishes still to be resurrected
after last night's corpse,
along with our enervated mood.
(Snuffed candle/closed book/bar clothes in the closet' s furthest corner.)
I drift with dragons
through the ether of purple sun.
After breakfast,
my molar hurts again.
The rose has genuflected to the table—
a dance to come?
The garage should be swept,
our car washed.
Let me stand
on the first leaked strands of today,
as though I'm at the train station,
surveying schedules in
another language,
for destinations that mean nothing,
except a difference from what exists,
from the earth on which
my feet seek to gain a purchase.
Let me empty my knapsack of experience
for security,
watch it disappear
as mist at the foot of buildings,
watch it creep down alleys,
through unlocked doors,
listen to it laugh at jokes and situations
I don't understand—
let me imagine a grey coat,
black shoes, well-worn pants,
a certain gait and an acquired romance
with the mysteries a stranger sees.
The geomorphology sun creates—
tablecloth
spilled across morning.
Although stitch-worked into
our conversation,
fantasy seems as plain as
the phone bill,
bank statement, or that note left on
the counter
beside the spent dishes still to be resurrected
after last night's corpse,
along with our enervated mood.
(Snuffed candle/closed book/bar clothes in the closet' s furthest corner.)
I drift with dragons
through the ether of purple sun.
After breakfast,
my molar hurts again.
The rose has genuflected to the table—
a dance to come?
The garage should be swept,
our car washed.
Let me stand
on the first leaked strands of today,
as though I'm at the train station,
surveying schedules in
another language,
for destinations that mean nothing,
except a difference from what exists,
from the earth on which
my feet seek to gain a purchase.
Let me empty my knapsack of experience
for security,
watch it disappear
as mist at the foot of buildings,
watch it creep down alleys,
through unlocked doors,
listen to it laugh at jokes and situations
I don't understand—
let me imagine a grey coat,
black shoes, well-worn pants,
a certain gait and an acquired romance
with the mysteries a stranger sees.
Monday, April 24, 2006
Thursday, April 13, 2006
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