Spider World
Spent August, early September,
a grander destiny — taut webs
span eaves and faded asters.
Frost is the army in waiting,
advances across Macintosh,
loiters on bleached curbs.
I recall rain, earthworm odours
on drizzled sidewalks, leaf
yard salad, warm rooms, windows ajar
and grass torn by a hard tackle,
resettled on shiver pads; cigarette smoke
coaxing the eight ball, side pocket.
Information is inexpensive — books dance
five-four — decisions swirl
at machine gun gait.
Sunrise tints napping clouds,
colour loses direction; spider weaving
from front door to bay window
has yet to visit Rome and we haven't
permitted ourselves to create beyond
the peneplain of syncopated vision.
Wednesday, September 29, 2010
Saturday, September 25, 2010
Alien Blood
In transit and transition
between one door and the next,
combination or key lock,
we have not escaped the veldt,
emaciated prowling lions,
the frenzy of the watering hole —
and in an alien country,
where language has been deconstructed
into unrecognizable components,
intent baked by sun — when a bullet
is the irreversible solution,
steering back into before —
the man who ran from the TO bus
with a knife in his hand hugs sidewalk,
off his meds, off his life,
off the trail most of us imagine following.
In transit and transition
between one door and the next,
combination or key lock,
we have not escaped the veldt,
emaciated prowling lions,
the frenzy of the watering hole —
and in an alien country,
where language has been deconstructed
into unrecognizable components,
intent baked by sun — when a bullet
is the irreversible solution,
steering back into before —
the man who ran from the TO bus
with a knife in his hand hugs sidewalk,
off his meds, off his life,
off the trail most of us imagine following.
The Dark Side of Your Kiss
arrives at three in the morning
under unreliable clouds / peekaboo moon
bar stragglers mutter staggered nonsense
car and apartment door slam / harmony
you mumble and you sleep / a spider
struts your memories / spins
imagined event threads into potential
in the morning over coffee
with bacon and eggs you'll recall
I had the strangest dream
and nothing quite made sense
listening to your somnolent tale
I wonder if the earth really loves
its hostage / the baleful harvest moon
Thursday, September 23, 2010
A Concrete Wilderness
Elevator glides linear,
mooring at cubular countries,
then sails.
Cacophony carousel,
a murder of business,
monetary lint.
Above the 19th floor,
vultures slowly surf
September afternoon.
When EMS arrives,
the woman with heart
palpitations decides to be well.
The parking lot
is ticket heaven,
another courier arrives.
On this carousel,
the centre falls apart,
spins into the away
of cold shoreline
and doors which remain
permanently closed.
Sunday, September 19, 2010
Autumn comes to asphalt
and concrete meadows
bereft of the grandeur of death —
the pageantry dying seems
to tear from all of us —
that last stand in curling waves
and unstable beach, that last fist
shaking at consequences and time
that last kiss for the faded flower,
the last slice of sunshine flowing
down a sluice of maple trees
disappeared into the arms
of a rising moon singing
a lullaby to Charon.
Autumn comes to asphalt
like rain seeking cluttered gutters
shearing the everyday detritus
from our vision and our minds —
as empty cigarette packagers,
coffee cups, useless lottery
tickets, gum wrappers,
a condom mimicking dam
against the river connecting
birth and death,
celebration and celebration
a voice we hear and silence
although October wind rattles
the shutters of our eyes.
and concrete meadows
bereft of the grandeur of death —
the pageantry dying seems
to tear from all of us —
that last stand in curling waves
and unstable beach, that last fist
shaking at consequences and time
that last kiss for the faded flower,
the last slice of sunshine flowing
down a sluice of maple trees
disappeared into the arms
of a rising moon singing
a lullaby to Charon.
Autumn comes to asphalt
like rain seeking cluttered gutters
shearing the everyday detritus
from our vision and our minds —
as empty cigarette packagers,
coffee cups, useless lottery
tickets, gum wrappers,
a condom mimicking dam
against the river connecting
birth and death,
celebration and celebration
a voice we hear and silence
although October wind rattles
the shutters of our eyes.
Thursday, September 02, 2010
Layers
world glued to world
flexible cinema
and alternate endings
with rain machines
full gutters
people-wash philosophies
a discrete cafe
table in the corner
with centrepiece rose
a far place
far from the near
the streetlight and bus
the brush kiss
over starters
of calamari and rye bread
you know me
and I know you
all too well
but what the hell
this is September
and rain clings
like a phone number
to the sides
of our sentences
call me
ball me
stall me
as daylight leaks
like love from a wound
of rush-hour traffic
and we're caught
in its rainbow
of infinite colours
under this umbrella
of faded stars
world glued to world
flexible cinema
and alternate endings
with rain machines
full gutters
people-wash philosophies
a discrete cafe
table in the corner
with centrepiece rose
a far place
far from the near
the streetlight and bus
the brush kiss
over starters
of calamari and rye bread
you know me
and I know you
all too well
but what the hell
this is September
and rain clings
like a phone number
to the sides
of our sentences
call me
ball me
stall me
as daylight leaks
like love from a wound
of rush-hour traffic
and we're caught
in its rainbow
of infinite colours
under this umbrella
of faded stars
Subscribe to:
Posts (Atom)